logs_studio experiments

so really, this work with these logs is very much intuitive. there's no conceptual underpinnings for it, that will come later as the work develops. it's just a matter of following an instinct. 

 painted white on the ends, preparing for patterns to be applied.

i've placed down some artificial grass as another possible element to contemplate. this grass is recycled from another work, lovesong, from a show at owl and pussycat gallery in richmond 2009. recycling materials is a financial necessity at this stage as well as a reflection of the bubbling and regenerating reality of chaos.