setting up the first speaker-lamp;
connecting the contact mic, the power, and the speaker to the amp
setting the component elements into place
one of the necessary environmental conditions to consider is the lighting. often something easily overlooked. most times, galleries are very well lit, sometimes with track lighting or spots. for this installation i wanted the lighting to be a bit dramatic, a bit like a fractured infrastructure, as if the lights have either not yet been put into their place, or had been taking away from where they were meant to be.
sitting the bluestone cobblestone on fluoro lights
placing the lights on the speaker-lamps
seemed to elicit the best effect in the space
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